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WRITERS' Journal
Table of Contents
July/August 2007
Volume 28, Number 4
.....Editor's Note,
by Leon Ogroske
Steven Coonts (page 15) encourages us to be original, and, that if we are, he
assures us that our writing will be more acceptable. Readers don’t care for
the same old stuff; they want new fresh ideas and stories to brighten their
lives. Coonts shares with us how he decides what the market might be interested
in before he begins to develop a story.
Make your writing more enjoyable by using dialect (page 22) and metaphors
(page 44). These two tools that may not be easy to master, but with practice
they will add a lot of color to your words.
Backstory can contribute much to your writing, too. It is a technique that
gives dimension to your character without going into so much detail as to bore
the reader. A bit about your character that might explain why he takes a
particular action or why he feels a certain emotion will guide the reader
through a plausible storyline. With backstory the reader is taken momentarily
into the character’s past. Using backstory allows a writer to succinctly and
accurately add believability to an event or an emotion without diverging too far
from the story; thus holding the attention of the reader while the writer
develops the story. Fiction and non-fiction writers alike can use this
technique. Try using backstory the next time you sit down to write and determine
whether it is a tool you find valuable.
Our contest winning stories all contain backstory. Find their backstories and
decide how they help the reader understand the characters involved.
"Davy’s Dilemma" is the winning story of our Fiction Contest.
This delightful story has dialogue, a bit of suspense, and a delightful ending.
The Write to Win! winning story falls on the other end of the emotional spectrum
with a well-developed war story.
Leon Ogroske, editor
Columns
4 .....Readers'
P.O.V.
5 .....Massaging the Muse, Lynne Pisano
Fishing
Expedition
6 .....Marketing Helps, Janet Elaine Smith
Marketing
Motivation: Read a Good Book
7 .....Vocabulary
Review, Carolyn Howard-Johnson
Synecdoche
8 .....Effective Screenwriting,
by
Christina Hamlett
I'd Like to
See More of Your Script
For
the third time in as many weeks, I found myself dealing with a screenplay client
who insisted that the ten-page partial she had paid me to review was only the
tip of a substantive iceberg. "Things really get cooking by page
sixty-five," she insisted, imploring me to let her send the rest of the
script so she could prove it.....
10 .....Photography Techniques, by Ronald D. Kness
Theme
Photography
Many
of us fall into photographing themes of one sort or another. I love to
photograph waterfalls and cascades, mountains, desert scenes, flower close-ups,
lighthouses, water-powered mills, covered bridges, sunrises, and sunsets....
58 .....For
Beginners Only, by Lois Vidaver
Opinions
Pay
Writing
opinion pieces for a local newspaper is one of the best ways to break into the
writing business. Does it pay? A little research on Web sites will uncover those
papers that do. The Buffalo News pays, for instance, along with the Cleveland
Plain Dealer and the Des Moines Register....
60 .....Words...Tools of Our Trade,
by Betty Garton Ulrich
The Marvel and
Mystery of Memory
Does
it amaze you, as it does me, that some people seem able to remember many details
of their lives from as far back as the age of two or three? Or are you one of
the people who can do that?...
61 .....WRITERS'
Journal Market Report, by
Laurie Graziano
July/August
2007 Market Report Plus, Brandy Agnew of Ceramics Monthly
Sometimes,
the simplest ideas develop into the most elaborate pieces of literature, One
thought gives birth to another thought, and, before long, you begin a creative
process that blends fact and fiction into the ultimate composition....
Markets: Ceramics Monthly, Ride Texas, Woman's World, ABC Soaps in Depth,
Life & Style Weekly.
Feature Articles
12
.....Expletive Deleted...or Not?, by Dennis E. Hensley
Alternatives
to Ribaldry
Get
into any serious discussion about "realism" in fiction and you'll soon
be part of a debate about the appropriateness, or lack thereof, of off-color
language. Fans of playwright and screenwriter David Mamet feel that a
four-letter word must be used in every sentence of dialogue. Other writers will
point out that Hollywood has made six Jane Austen novels into megahit movies
during the past ten years, and none have contained graphic violence, gratuitous
sex, or cussing and swearing.....
15
.....Selling Originality, by Belinda Anderson
An Interview
with Stephen Coonts
Stephen
Coonts lives in Las Vegas, but he makes regular visits to the New York Times bestseller
list. He got there by developing his craftsmanship, and he caught a couple of
lucky breaks. But he says the key for himself and many other writer is one word:
originality. "Originality sells. Originality establishes careers."...
19
.....You've Got to Accentuate the Positive, by Ned McIntosh
How to Sell
Manuscripts to Editors
Is
your dream to get published? New writers submitting manuscripts for the first
time should scout the competition—always good advice when competing....
22
.....Writing Visual Dialect in Fiction, by Tony Burton
Add Color to
Your Verbal Paintbrush
Dialect
in fiction can play a powerful part in creating the mood and tone of the story,
setting the location, and establishing the relationships between the characters
in the story....
41
.....How to Create a Successful Anthology, by Anastasia M. Ashman &
Jennifer Eaton Gokmen
Advice for
Editors and Writers
Two
Instanbul-based American writers share the lessons learned in creating an
internationally best-selling expatriate anthology:....
42 .....Writers' Notebook
Backfire
Instead of Ordering
Sample Copies...
Writers Love
Bylines
44
.....Demystifying Metaphor, by Art Edwards
One Writer's
Journey to Livelier Figurative Language
Great
metaphors are born, not made. this is the conclusion to which I cam after nine
years of dedicated fiction writing, all of my attempts at figurative language
falling dead in the water (see, I'm not kidding).
46
.....Capitalize on the Conference, by Christine Anderson
Five Steps to
Postconference Success
You've arrived home from a writers' conference ready to tackle your latest
project with renewed enthusiasm. You drop your bags at the door and kiss your
spouse, and then hurry off to the computer. But now what?...
47
.....Confessions of a Self-Publisher, by Jim Sajo
Learning
Self-Publishing the Hard Way
Two years ago, I had a great idea. Drawing on my passions for travel, sports,
and Italy, I decided to self-publish a guidebook to the 2006 Winter Olympics.
Now that the games are history, I'm not sure whether I was so smart after
all....
50
.....Variety Is the Spice of Writing, by Dennis E. Hensley
Dressing Your
Words
There
is something fascinating about a kaleidoscope. Turn the eyepiece just a little
and the whole image before you alters. Turn it again and yet another image will
appear. Simply by rotating the colored crystals and mirrors inside the tube, you
can form an endless variety of images....
Fiction
27
.....Davy's Dilemma, by Steve Muscato
First Prize
Winner of 2007 Fiction Contest
28
.....The NBA, by Gordon Gumpertz
Second Prize
Winner of 2007 Fiction Contest
30
.....A Showing of Fate, by Jennifer Mackey Stewart
Third Prize
Winner of 2007 Fiction Contest
February 20, 2007
Write to Win! Winner
38
....."Run, Soldier, Run"—"The fire burned...," by John
S. Pena
Poetry
51 .....Every Day With Poetry, by Esther M. Leiper
"A Verse
Excursion: Raddled with Riddles"
The
desire and need to use words is compelling, so much so that the beginning of
language, along with the first step, is the criterion we use to separate infant
from child. Communication is like a spark in the dark; it lights odd corners or
scary places while making bright spots brighter. That's where the word raddled
comes in, by the way. Sheep used to re raddled, or brightly colored with
dye. Each farmer marked his own so one herd couldn't get mixed with another at
market.....
55 .....Esther Comments On..., by Esther M. Leiper
Winners of
the December 2006 Poetry Contest
How
life and death commingle, how honor and responsibility interact, how nothing
changes yet everything does under the indifferent gaze of time; from such
factors poetry is made. Glib poems offer glib answers. More sophisticated poems
present no final answers and therefore situations shown to readers are based on
the various loyalties and compromises we live by, making way with good (or evil)
intentions.....
Copyright ©2007 all rights
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